AABANY is pleased to announce that it will be resuming its long-time partnership with AAIFF, promoting six short films showing online under the title of “Fire & Water: Shorts in Your Element.” These films include:
“Skin Can Breathe” by Chheangkea
Soda, a Cambodian teenager living in America seeks refuge from his volatile surroundings through swimming. Navigating his relationship with his family, as well as the awkward and erotic nature of his swim team, Soda’s story of self-discovery enthralls viewers. “Skin Can Breathe” is an award-winning short film, bound to catch the audience’s attention.
“Inheritance” by Erin Lau
Kelsey Akioka spends his days photographing the Kalapana lava fields, selling his photos in a pop-up tent to apathetic tourists to support his son and elderly father. Upon receiving news that his friend is sacrificing his passion to better his family’s life, Kelsey must balance his inner conflict with his home life. Directed by Erin Lau, a Native Hawaiian filmmaker with experience working with Sundance Institute, Tribeca Studios, MTV, the Points North Institute, Nia Tero, and Film Independent’s Project Involve program and Episodic Directors Intensive, this short film is a must watch.
“Honolulu” by Maya Tanaka
12-year-old Yuki’s Hawai’ian beach vacation is threatened by mundane family tensions that threaten to boil over, leaving unforgettable memories. Supported by the 2021 Tribeca Studios x Chanel Through Her Lens Female Filmmaking Grant, Maya Tanaka tells an intricate tale of family and culture through Honolulu.
“The Ocean Duck” by Huda Razzak, My Anh Ngo
During a flood, a woman’s visit to her ailing grandmother in a hospital triggers nostalgic memories and fantastical visions of an ancient tale coming to life. “The Ocean Duck,” an animated short film by Huda Razzak and My Anh Ngo, beautifully merges ancient poetry with a modern story of family bonds.
“Rooted (防己)” by Yi-Wei Wu
Rescued by a lifeguard who mistook him for drowning, a teenager grapples with newfound desires that have long been suppressed. Wu Yi-Wei, a writer exploring the complexities of gender, body, and family crisis, transitioned to film direction after earning his M.F.A. in RTF from Shih Hsin University, with “ROOTED” marking his debut short film.
“The Roaring of the Carabao” by Angeline Meitzler
A daughter, born in the United States, travels to the Philippines, her mother’s homeland, and is met with a volcanic eruption on the night of her arrival. Enchanted by the turbulent landscape, she embarks on a haunting journey through the past, present, and beyond, illuminated by the glow of an ember. Incorporating elements of hauntology, “The Roaring of the Carabao” explores the Taal Volcano, one of the Philippines’ most active volcanoes, and its ongoing activity as a symbol of Filipino Americanism.
To receive a 25% off discount code, exclusive to AABANY members, please register here at least two days prior to the showing. To buy tickets to “Fire & Water: Shorts in Your Element”, click here. To learn more about the other films and events exhibited at this festival, click here.
This year, AABANY is partnering with AAIFF to promote the film, “RAGING GRACE,” screening in-person on July 30th in Quad Cinema, at 34 W 13th Street.
“RAGING GRACE” is a bold coming of age tale, telling the story of Joy, an undocumented Filipina immigrant, struggling to make a living as a housekeeper in London. A single mom, Joy fights to support her young and mischievous daughter, Grace. Joy hopes to save up for an overpriced visa that will allow the two of them to stay in England and build a new life. When Joy is offered the perfect position as elderly Mr. Garrett’s caretaker, she accepts, despite suspicions about the estate and the Garrett family simmering beneath the surface. “RAGING GRACE” defies conventional horror movie tropes while tackling powerful social commentary, illustrating a vibrant narrative of exploitation often faced by many new immigrants.
The film will be followed by a filmmaker Q&A, allowing panelists to answer any questions attendees may have about the film and the shooting process. Furthermore, attendees have the opportunity to attend the closing reception at Project Farmhouse, located on 76 East 13th Street.
Tickets for this screening and closing reception will be available for $70.00 on the AAIFF website. To receive a 25% off discount code, exclusive to AABANY members, please register here at least two days prior to the showing. Click here to purchase tickets for this gripping film. To learn more about the other films and events exhibited at this festival, click here.
This year, AABANY is partnering with AAIFF to promote the film, “Finding Her Beat,” screening in-person on July 30th in Quad Cinema, at 34 W 13th Street.
Amidst the icy grip of a Minnesota winter, an extraordinary collaboration unfolds between a Japanese drum master and a Korean adoptee from North Dakota. The two women are determined to gather the finest Taiko drummers worldwide, uniting to claim a cultural spotlight traditionally monopolized by men. Directed by award-winning directors Dawn Mikkelson and Keri Pickett, this documentary is not one to miss.
Tickets for this screening will be available for $16.00 on the AAIFF website. To receive a 25% off discount code, exclusive to AABANY members, please register here at least two days prior to the showing. Click here to purchase tickets for this amazing documentary. To learn more about the other films and events exhibited at this festival, click here.
This year, AABANY is partnering with AAIFF to promote the film, “Yaobikuni’s Love,” screening in-person on July 29th in Quad Cinema, at 34 W 13th Street.
The mockumentary tells the story of Yaobikuni, women of Japanese mythology that attained immortality through eating the flesh of a “ningyo,” a type of mermaid said to grant eternal life. Miike, the director for a documentary show, gives a smartphone to a Yaobikuni named Mizuki. She uses the phone to keep in touch with Miike, and to meet other Yaobikuni women. Upon installing a dating app, Mizuki is elated by the potential of a suitor in her life, only to have her hopes dashed when he fails to show up for a date. Miike comforts Mizuki after she is left in the cold, causing Mizuki to become attracted to the young documentarian.
The screening of the mockumentary will include the short film, “The Old Young Crow,” telling the story of an Iranian boy that befriends an old Japanese woman at a graveyard in Tokyo. The film, directed by Liam LoPinto, a filmmaker, and animator from New York City, serves as a fascinating appetizer that will be sure to charm and enchant viewers alike
General tickets for this screening will be available for $16.00 on the AAIFF website. To receive a 25% off discount code, exclusive to AABANY members, please register here at least two days prior to the showing. Click here to purchase tickets for this fascinating mockumentary. To learn more about the other films and events exhibited at this festival, click here.
AABANY is excited to announce our community partnership with the 46th installment of the Asian American International Film Festival (AAIFF46), the first and longest running Asian American film festival in the US. Established in 1978 by Asian CineVision, a media arts nonprofit focused on AAPI interests, the festival is committed to supporting AAPI cinema as a tool for social change and inclusion in the media arts. This year, the festival is taking a unique hybrid format, screening films both in-person and online this July 26th to August 6th.
The festival lineup includes a distinctive selection of feature films, such as “Yaobikuni’s Love,” “Raging Grace,” and “Finding Her Beat.” Additionally, you can look forward to a captivating assortment of short films, including “Skin Can Breathe,” “Inheritance,” “Honolulu,” “The Ocean Duck,” “Rooted (防己),” and “The Roaring of the Carabao.” Overall, AAIFF offers an enthralling experience, promising to immerse viewers in a world of fascinating stories that resonate with the Asian diaspora experience.
Aside from an outstanding selection of Asian American films, AAIFF will showcase exclusive panels, receptions, and other unique VIP events. Attendees will be provided with exceptional opportunities to mingle and connect with both industry professionals and fellow film enthusiasts.
AABANY will be promoting these particular films for AAIFF26:
To receive a 25% off discount code, exclusive to AABANY members, please register at the embedded links above at least two days prior to the screening date. Tickets and passes are currently on sale on the AAIFF website— make sure to spread the word and confirm your attendance now by clicking here and securing your spot. To learn more, visit the AAIFF site by clicking here, or follow @asiancinevision to receive updates about this phenomenal event.
On May 31, in honor of Asian American, Native Hawaiian, Pacific Islanders month (AANHPI), AABANY and the Asia Society came together to co-host a special screening of Dear Corky,a short documentary film thatcaptures the late New York photographer Corky Lee’s documentation of New York City’s Chinatown, in his hometown, and Asian American communities across the nation.
The film tells the inspiring story of Corky, the man behind the camera, who spent over fifty years capturing over a hundred thousand photographs. His life’s mission was dedicated to achieving photographic justice. Starting from his college days, Lee began photographing Chinatowns, and driven by his deep sense of social justice, he captured images of activists, everyday heroes, and celebrities with equal passion. After the passing of his wife in 2001, Corky found comfort in his photographs, as they became his safe haven. He shared that he felt less lonely because he felt connected to the people in his photographs. Corky passed in early 2021 after being hospitalized for COVID-19. He had been out in the community documenting anti-Asian hate and violence during the onset of the pandemic.
Following the screening, Chris Kwok, Chair of AABANY’s Issues Committee, moderated a conversation with the film director Curtis Chin, Virgo Lee, advisor to the Estate of Corky Lee, and Mae Ngai, Asian American Studies Lung Family professor and history professor at Columbia University.
The panelists shared their fond memories of Corky Lee. They highlighted not only the joy brought to their lives but also the recognition of how impactful he was to the Asian American community. Corky Lee’s photography served as a spotlight and voice of the experiences, struggles, and accomplishments of various communities and movements across the country. His selflessness and passion in his work served as an inspiration to many.
Prof. Ngai also shared a special report on the forthcoming book, Corky Lee’s Asian America, from Penguin Random House. The book will provide a deeper dive into decades of Corky’s activism expressed through his photojournalism. It is now available for pre-order and set to release on February 20, 2024.
AABANY thanks everyone for attending this event as a fitting conclusion of AANHPI Heritage Month. It was truly heartwarming to witness how supported and beloved Corky Lee was.
To view post-screening discussion, please click here for the full video.
On September 29, 2022, Fordham Law School Professor Thomas H. Lee and 2nd Circuit U.S. Court of Appeals Judge Denny Chin presented a screening of the documentary “Free Chol Soo Lee” at Fordham University’s Lincoln Center campus. Professor Lee currently co-chairs AABANY’s Academic Committee. Judge Chin served as AABANY’s President from 1992 to 1993.
Judge Chin and Professor Lee hosted the screening in collaboration with Fordham Law School’s Center on Asian Americans and the Law. Judge Chin, Kathy Hirata Chin, Professor Thomas H. Lee, and other Fordham faculty members worked together to establish this new center earlier in 2022. The Center on Asian Americans and the Law is dedicated to promoting public education on the legal history of AAPIs, serving as a research hub for AAPI legal issues, and coordinating public advocacy and outreach efforts through law firms, corporations, and the public to advance justice for the AAPI community as a whole.
The 2022 documentary “Free Chol Soo Lee,” by Julie Ha and Eugene Yi, tells the story of the pan-Asian, grassroots movement which mobilized in the ‘70s and ‘80s to assist Chol Soo Lee, a Korean immigrant who was wrongfully convicted for the 1973 murder of San Francisco Chinatown resident Yip Yee Tak. “Free Chol Soo Lee” follows the formation of the defense committee which came to Lee’s aid, along with the efforts of community members and attorneys who worked tirelessly to free Lee from prison.
After the movie screening, Professor Thomas H. Lee held a Q&A session with Judge Chin. Judge Chin first spoke to the grim ending of the documentary, which covers the post-release struggles which faced Chol Soo Lee in his adjustment to freedom. Judge Chin noted that, “In recent years, a lot of re-entry courts have popped up. We started a re-entry court [The RISE Court] in the Southern District of New York in 2019 …. It’s such a terrific program. We had our second session of this group just yesterday, and we had three graduates talk to these guys [the enrollees of the current RISE Court cohort presided over by Judge Chin]. We’re up to five RISE courts in the New York City area.” Judge Chin stressed the important role which systems of support must play even after a person has been released from prison.
Professor Lee capped off the event by asking Judge Chin a question geared towards law students and practicing attorneys: “How can law students and lawyers get involved [in issues of wrongful conviction such as that in the documentary]?”
Judge Chin responded by reflecting on the effects of the movement around Chol Soo Lee on Asian American communities: “The real positive for this was the community. Ranko [Yamada] went to law school. Jeff Adachi became pretty high up in the legal field. Many of them [individuals involved with the defense committee for Chol Soo Lee] were inspired to go to law school…I think the law gives you tools to do a lot of different things. But whatever you do, you find some way to give back…For example, [trial] reenactments with AABANY, which have proven to be a great educational tool…Whether you realize it, lawyers do have power. When you’re learning the trade, you’re really learning how to make a change.”
Judge Chin’s reference to AABANY’s trial reenactments recalls AABANY’s Trial Reenactment Team performing “Alice in Chinatown: Chol Soo Lee and His Fight for Freedom” at the 2018 NAPABA convention in Chicago. AABANY’s Trial Reenactment Team has scripted and performed scripted a number of other famous cases such as “Korematsu v. United States,” and the trial following the murder of Vincent Chin. Anticipating the foundational mission of Fordham Law School’s Center on Asian Americans and the Law, the AABANY Trial Reenactment Project was created to educate audiences about Asian American contributions to the development of American law and society.
We are grateful to Judge Chin and Professor Lee for hosting this film screening, and thank Fordham Law School’s Center on Asian Americans and the Law for organizing this event.
What do laundry workers in Manhattan’s 1930s Chinatown have to do with the neighborhood’s activists today? Experience stories of repression, mobilization, and resilience in Chinatown, past and present, at this evening of documentary film and discussion. We begin with Betty Yu’s Discovering My Grandfather Through Mao, about Yu’s grandfather’s activist work with laundry workers during the Chinese Exclusion era, followed by ManSee Kong’s Chinatown Tenant Stories: Mrs. Zheng on Delancey, about Chinatown resident Mrs. Zheng’s introduction to community organizing. The screenings conclude with a private preview of Curtis Chin’s unreleased documentary, Dear Corky, about the late photographer Corky Lee, who died of COVID-19. A talkback and audience Q & A with the directors, moderated by reporter Shirley Ng, will follow the films.
About the Speakers: Curtis Chin is an award-winning writer and documentary filmmaker whose voice has been recognized by the National Association for Multicultural Education, the National Association for Ethnic Studies, the American Librarians Association, Asian Americans Advancing Justice, and more. A graduate of the creative program at the University of Michigan, Chin has also received fellowships from ABC/Disney Television, the New York Foundation for the Arts, and the National Endowment for the Arts, and served as a Visiting Scholar at New York University. As a community activist, Chin co-founded the Asian American Writers’ Workshop, the premiere non-profit dedicated to promoting Asian American writers. He has also worked as the Director of Outreach for the Democratic National Committee and served on Barack Obama’s Asian American Leadership Committee during his 2008 Presidential Campaign. His memoir, Everything I Learned, I Learned in a Chinese Restaurant is scheduled to be released in 2024. curtisfromdetroit.com
ManSee Kong is a filmmaker and cultural worker born and raised on unceded Lekawe and Munsee Lenape land (Queens/NYC). Her work is anchored in immigrant experiences and inspired by grassroots community organizing efforts. Her films have screened at Museum of Modern Art, Glasgow Women’s Library, film festivals and community spaces, with support from the Jerome Foundation, Lower Manhattan Cultural Council, Camargo Foundation, Spike Lee Production Award, Puffin Foundation, and Asian Women Giving Circle. In 2015, she co-founded Chinatown Art Brigade (CAB) with Tomie Arai and Betty Yu, a cultural collective that uses art to advance community-led social justice campaigns. CAB has received support from A Blade of Grass, Rubin Foundation, Asian Women Giving Circle, Fourth Arts Block, Culture Push, Laundromat Project, Lower Manhattan Cultural Council, among others. ManSee is a Third World Newsreel Production Workshop alum with an MFA in Film from NYU.
Shirley L. Ng is a staff writer for the news blog, Asian American News (AsAmNews) and a community organizer at the Asian American Legal Defense and Education Fund (AALDEF). She is an advocate for the Asian American community, a passionate supporter of Manhattan Chinatown and a member of several groups and associations. Shirley attended NYC public schools and graduated from Hunter College with a BA in Media Communications and Political Science. She was born in Manhattan and raised in Chinatown by immigrant parents from Toisan, China.
Betty Yu is a multimedia artist, photographer, filmmaker and activist born and raised in NYC to Chinese immigrant parents. Ms. Yu integrates documentary film, new media platforms, and community-infused approaches into her practice. She is a co-founder of Chinatown Art Brigade. Ms. Yu has been awarded artist residencies and fellowships from the Laundromat Project, A Blade of Grass, KODA Lab, Asian American Arts Alliance, and her work has been presented at the Brooklyn Museum, Queens Museum, NY Historical Society, and Artists Space. She holds a BFA from NYU’s Tisch School of the Arts, an MFA in Integrated Media Arts from Hunter College and a One-Year Certificate from International Center Photography New Media Narratives program. Ms. Yu teaches at Pratt Institute, Hunter College, and The New School and has over 20 years of community, media justice, and labor organizing work. Betty sits on the boards of Third World Newsreel and Working Films and on the advisory board of More Art.
About the Films: Chinatown Tenant Stories: Mrs. Zheng on Delancey (ManSee Kong, 2015, 6 mins.): Chinatown resident Mrs. Zheng reflects on her introduction to community organizing upon joining a local grassroots group after garment factories in Chinatown closed en masse after 9/11. Mrs. Zheng became a lead tenant organizer with CAAAV Organizing Asian Communities and successfully organized tenants in her own building on Delancey Street in 2005, pushing back against an unscrupulous landlord. Based on oral history conversations with Mrs. Zheng, Chinatown Tenant Stories is a video and talkback series created for use in tenant organizing meetings, and produced as part of the Asian American Oral History Collective in collaboration with Chinatown Tenants Union of CAAAV Organizing Asian Communities, with support from Third World Newsreel and LMCC.
Dear Corky (Curtis Chin, 2022, 16 mins.): For over fifty years, Corky Lee photographed New York City’s Chinatown, as well as the Asian American community around the country. With a strong sense of social justice, he captured the biggest activists and celebrities to the everyday heroes. Sadly, after continuing to document the rise of anti-Asian hate crimes, he fell to COVID. Through his words and pictures, this documentary offers a glimpse of the man behind the camera.
Discovering My Grandfather through Mao (Betty Yu, 2011, 18 mins.) is a short documentary film about Betty Yu’s personal journey as she uncovers her grandfather’s radical history as a labor organizer and co-founder of the Chinese Hand Laundry Alliance of New York (CHLA), one of the oldest Chinese-American labor organizations in this country. Her grandfather, Sui Woo, a hand laundry worker came together with other workers and recognized the need for an organization that could challenge the racist and anti-Chinese policies in the 1930’s. Today, Chinese Americans and immigrants can learn from this rich history of workers resisting institutional racism and recognizing the importance of community organizing as a powerful tool.
About Asian CineVision: Asian CineVision (ACV) is a 501(c)(3) media arts nonprofit devoted to the development, exhibition, promotion, and preservation of Asian and Asian American experiences through storytelling. Our mission is to nurture and grow the community of makers and enthusiasts of Asian and Asian American independent film, television, and digital.
AABANY will be a community partner for two film screenings for the 2020 Asian American International Film Festival this fall. These two film screenings include:
Since President Rodrigo Duterte took office in 2016 and announced his campaign to rid the Philippines of drug addicts and dealers, as many as 20,000 Filipinos have been murdered. ASWANG confronts these executions and their devastating aftermath.
CODED BIAS explores the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces and women accurately and her push for legislative protection against biased AI.
This year, the festival is entirely online; you can watch from home with an internet connection. Each film or event will have a link to purchase your tickets. After you purchase, you will receive an email with a link to view the film. You may purchase anytime within the dates of our festival (October 1 to October 11, 2020). For more information and FAQs, please visit the “How to Festival” section of their website.
Please click the links above to purchase tickets and learn more about the films. AABANY members will receive a 20% discount code to all festival screenings once they register for the event on the AABANY website.
Click here to register for “Aswang” on the AABANY website. Click here to register for “Coded Bias” on the AABANY website.
For more information on the AAIFF, please click here.
Beginning July 6, 2020, the Unified Court System will require all courthouse visitors to participate in questioning and a temperature screening. The changes come as New York begins to re-open and adjust following the COVID-19 pandemic.
A uniformed official will take the temperature of all visitors, including attorneys, witnesses, spectators, prisoners, law enforcement officials, and others, with an infrared thermometer, which requires no physical contact.
Visitors will be asked if in the last 14 days, the visitor has (1) experienced fever, cough, shortness of breath or any other flu-like symptoms; (2) tested positive for COVID-19 or been in close contact with anyone who has tested positive; (3) returned from travel internationally or from states covered by Executive Order 205.1.
If the visitor registers a temperature of 100º or below and answers ‘NO’ to the aforementioned questions, they will be permitted into the courthouse. If a higher temperature is recorded or visitors answer ‘YES’ to any of the questions, the courthouse will request additional information for the visitor and will not be let inside.
For more information or tread the complete memo, please click the image above.
